Category Archives: Artist Profiles

Garden Glass Windows: Interview with Lynn Ploe Gillis

Long before it was fashionable, artist and designer Lynn Ploe Gillis, was committed to using recycled materials in her artwork. An avid gardener, it was her passion for art, love of gardening and commitment to recycling that lead to the creation of her company, ‘Garden Glass Windows.’ Lynn creates beautiful one of a kind art installations and garden sculptures from old window frames, recycled glass and found objects from yard sales.

Val:  “How would you describe the type of artwork you create?”

Lynn: “Well, technically it’s mixed media…more specifically, mosaic-style style indoor/outdoor stained glass on recycled window frames…..but, mostly I’d describe it as fun and colorful!”

Val: “Tell us about some of your favorite treasure finds from yard sales?”

Lynn:  “A girlfriend insisted I buy an extremely old, large and ornate frame for $5.00. I was thinking I only work on windows, but then it hit me: I could use my technique on picture frames as well! I painted the frame turquoise and made a spectacular mermaid. It ended up being one of my most lucrative pieces.”

Val: “What are some of the challenges of working with recycle items?”

Lynn: “The challenges are really opportunities. The conventional way of creating is that you have an idea, you buy the materials and then you make it. With recycled materials, it works the other way around. You have a variety of miscellanea and you get inspiration of what to make from the materials themselves. It’s inspiring, stimulating and challenging–but in a good way!”

Val: “Do you do commissioned artwork?”

Lynn: “Absolutely! I’ve made too many commissions to count. Suffice it to say, if you can dream it up, I can probably make it.”

Val: “Can people bring you items they want incorporated into an installation?”

Lynn: “Sure, that always makes it more interesting and meaningful. It’s very similar to Pique Assiette, which is a style of mosaic that incorporates pieces of broken ceramics and other found objects into the design. The appeal and expressiveness of pique assiette lies in the ideas of lateral thinking, humor, recycling, and the significance of the found.”

Val: “What is the best way to get in touch with you or to see more of your beautifully created work?”

Lynn: “You can reach me thru my website, www.GardenGlassWindows.com or directly at my home studio, 703.802.1434″

Val: “Thanks Lynn, we’ll be looking forward to seeing new creations on your website!

This slideshow requires JavaScript.

Photoshop World DC 2012 – Westcott Lights

Westcott Lighting wowed photographers at Photoshop World D.C. this year with assembled  ‘ready to shoot’ display sets; complete with models, costumes, props and of course, the newest and best in lighting gear.  With a continuous lighting set-up, photographers at the expo could shoot ‘till their hearts content,’ their choice of perfectly lit theme sets.  A friend that attended told me he stood shoulder to shoulder with other photographers in a circle as the models slowly turn in everyone’s direction.

He brought his pictures into the office to show me. Wow! I had to go in for a closer look on his iPad . . . Even though I didn’t attend this years event, it was a rush to see the results achieved by other photographers.  Sigh,  shoulda, woulda, coulda. . . I really gotta go next year!

Dawn Kohler Makeup: Rebecca McGillicuddy Photo by Michael Liberman using Westcott lighting products. http://www.fjwestcott.com

Fantasy Warrior: Sarah Hunter Makeup: Rebecca McGillicuddy Photo by Michael Liberman using Westcott lighting products. http://www.fjwestcott.com

Check out more of Michael’s pics at  http://www.flickr.com/photos/michaelsliberman/

Rear Window Timelapse

Rear Window Timelapse

Rear Window Timelapse

Rear Window Timelapse

Rear Window Timelapse.

Rear Window is a classic Hitchcock movie and you should never mess with the classics, right? Well, no. Not in the age of the internet when messing with the classics is encouraged. In the video above Jeff Desom turns this voyeuristic suspense film into a visual installation, cutting up the film in After Effects and stitching it back together into a continuos panorama, as he explains:

I dissected all of Hitchcock’s “Rear Window” and stiched it back together in After Effects. I stabilized all the shots with camera movement in them. Since everything was filmed from pretty much the same angle, I was able to match them into a single panoramic view of the entire backyard without any greater distortions. The order of events stays true to the movie’s plot.

You can see the making of in the video Rear Window Timelapse, above. He then used three projectors to show the edited footage.

Re-blogged from The Curious Brain